I Miss Posting!
I’m halfway through the season of JYM’S Avenue Q, and I’ve either been too busy or too exhausted to blog. (And yes, I’m in the pit blogging on my trusty phone at the moment…)
And here’s the thing: I miss it! I’m really enjoying the season but I do miss telling you all about what’s going on. It’s also a great debrief for myself…
So, I apologise for not being around lately… And I do promise to come back with vengeance after the show closes (and I’ve had a little catch up sleep!) I’ve got lots to tell you… Exciting stuff indeed!
But until then,
Blog ya later!
Drew.
How Can You Love A Dump Like This? (with mp3)
My favourite song that I’ve written so far for Somewhere To Fight For is “How Can You Love A Dump Like This”. Other than having a really cool title, it’s got one sick funky-ass groove that really propels it forward. Plus there’s some new “jazz” chords that I’ve experimented with that I’m pretty proud of myself for using! The song really is painting the “flip-side” of living in a town like Wickliffe, whereas “This Is My Town” showed the positive. I also wanted to have a humorous song early on, especially seeing much of the show is quite intense. It also sets up the relationships between the characters and Kate.
On Monday and Tuesday, three out of four of the lead characters learned the song. As always, I grabbed the opportunity to record the live audio and I’m pleased to feature it here! The first verse is sung by Ellie Hearnes who plays Jane, the second verse is sung by Tamsyn Gately who plays Wendy, and the bridge is sung by Zac Barrett who plays Stuart. It’s the first song they’ve attempted themselves, so they’re a touch nervous. But I’m sure you’ll get the feel for the song. As always, the song is (C) 2012, Drew Lane.
As always, let me know what you think!
Until tomorrow,
Blog ya later!
Drew
P.S. If you want to download it, you can here (Right click, Save As …) How Can You Love A Dump Like This Sing Through Audio First Sing Through
JYM’s “Avenue Q” Review – Yay Us!
Here’s the first review of JYM’s “Avenue Q” that I’m playing in the orchestra of! Enjoy!
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Avenue Q
Sold out before opening night (extra performances now scheduled), Avenue Q at the Phoenix Theatre is a delight. Professional, riveting, moving; JYM Theatre Company’s purpose is achieved.
The music and dialogue is accomplished in itself, with a Tony Award to prove it. But on a local level, director Pip Mushin seeks out every opportunity to enhance the audience’s experience. Whether it’s innovative lighting for a vignette, or witty projection, the audience is invited to share the woes and celebrations with a crazy cast of puppets and their human counterparts (oh, and human neighbours Gary Coleman, Brian and Christmas Eve).
The cast are equally strong in singing, acting and maneuvering the puppets. Their animated faces breathe life into the puppets, and their bodies complete the image. Standouts include Emma Harris as Kate Monster, Grant Buse as Rod, and Courtney Krulis as Lucy the Slut. However they all master the beloved voices that is synonymous with their characters. Special mention here goes to Jonathan Goldberg as Nicky, and Josh Prince as Trekkie Monster.
The orchestra is also pitch perfect, led by Musical Director Philip Setton who manages to conduct whilst playing guitar. Choreography by Yakira Abraham, whilst simple, is effective. A few well timed nods and visits into the auditorium are appropriate for the style of show.
The set, whilst a design copy from the New York stage, is a triumph for the construction team, led by Yossi Torbiner. The main set is the dilapidated Avenue Q apartment block exterior. Every door and window is utilised. The audience quickly learns who lives where, and how they live. Interior sets perfectly reflect characterisation. There are vision impairments, however, from the far sides of the auditorium (particularly the left hand side).
JYM’s production of Avenue Q truly is a professional show made (mainly) by and (mainly) for the Jewish community of Melbourne. It will warm you, touch you, and provide you with insightful commentaries regarding love, sex, money, race and homosexuality.
Tammy Shmerling
— taken from www.stagewhispers.com.au
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I’m so proud to be a part of this production! Way to go everyone!
Until tomorrow,
Blog ya later!
Drew
Life In The Pit

… The orchestra pit, that is! That’s where I’m typing this blog from at this very moment. I’m in the band for JYM’S “Avenue Q” playing second keys.
It’s very cozy down here, with barely an inch between the top of my head and the cover of the pit. It’s dark, lit only with enough light to see the score and a glow from my laptop which is running some 150+ orchestra patches.
Funny thing is, even tho it’s very tight, it’s comfortable. The audience doesn’t know I’m here! Hell, I have to crawl out to get back into the real world!
Anyways, the show us about to start, so I’d better go.
Until tomorrow,
Blog ya later!
Drew
“Time Marches On” – Somewhere To Fight For (With mp3)
Over the last two weeks, the kids of Somewhere To Fight For have been learning the opening number of the show. It’s a five minute song that recounts the history of Wickliffe and also helps set the scene for the entire show.
It’s a tough song because 1) it’s so damn long; 2) it has number strange key changes; 3) it carries a lot of information and 4) it has to retell some 150 years of history. It’s also important to have because, for the most part, the audience have no background to Wickliffe and why it’s important to the setting of the show. I don’t like writing this kind of song because it’s very “telling the audience” rather than “showing the audience”, however I felt that without “Time Marches On”, we didn’t get any sense of the background to Wickliffe. Thankfully it’s not just a “sing fest”, but there are different characters who play their historical-selves and help push the action along.
Anyways, on Tuesday, we finished learning the song and took the chance to do a very quick live audio recording, just so that you can hear it! I’ve included the lyrics below so you can follow them along (’cause sometimes it’s not easy to hear the solo voices – no microphones yet!).
As always, “Time Marches On” is (C) 2012, Andrew Lane.
Here’s the lyrics:
KATE
In the year of Eighteen Thirty Six
Explorer Thomas Mitchell fought through shrub and sticks
And found water clear as crystal
He named the river “Hopkins” and wrote these words profound
MITCHELL
“A land more favourable for life could not be found.”
KATE/MICTHELL
Time marches on, time marches on
KATE
John Farrell and his wife arrived in Eighteen Forty Three
And erected by the river
FARRELL
Farrell’s Inn as it came to be
A home for the traveller and the lonely
KATE
People came by horse and cart
and stopped as they passed through
And there the town of Wickliffe swelled
in Eighteen Fifty Two
ALL
Time marches on, time marches on
While life is sparking
Time marches on, time marches on
And keeps on marching
On…
Wyselaskie started building his Narrapumelap
WYSELASKIE
Completed in Eighteen Seventy Eight
A building that proudly stands still today
KATE
A community thrived and prospered,
through flood, and fire and war
A people proud of what they’d built
on the Hopkins River’s shore
ALL
Time marches on, time marches on
While life is growing
Time marches on, time marches on
And keeps on marching
On…
A town of sporting prowess, the Magpies premieres
Racing, Cricket, Tennis, Golf, all made the land aware
That here was a people full of promise
KATE
But in the 1980′s, there came a shift in tide
Slowly promise faded and with it went the pride
Of a town once strong and stable
As the year two thousand closed,
more families left the land
And whispers of the history
were too hard to understand
ALL
Time marches on, time marches on
While life is dying
Time marches on, time marches on
And keeps on marching
On…
If you want to download the song, here’s the link: Time Marches On With Cast First Run 128kps
As always, let me know what you think!
Until tomorrow,
Blog ya later!
Drew




